Knoll Debuts its Self Adjusting Task Chair - Ollo

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While many might think of Ollo as a credit card (because it is), others will ponder Knoll’s first entry into the self-adjusting task chair market. Designed by Glen Oliver Loew, Ollo looks to be extremely competitive in the category.

GLEN OLIVER LOEW  GLEN OLIVER LOEW GRADUATED WITH A DIPLOMA IN INDUSTRIAL-DESIGN FROM THE UNIVERSITY OF WUPPERTAL IN 1985. HE THEN MOVED TO MILAN/ITALY, WHERE HE RECEIVED A MASTER’S DEGREE IN DESIGN FROM DOMUS ACADEMY IN 1986.  IN 1987 HE STARTED HIS COLLABORATION WITH ANTONIO CITTERIO, IN 1990 HE BECAME PARTNER IN ANTONIO CITTERIO & PARTNERS IN MILAN, DEVELOPING A LARGE NUMBER OF PRODUCTS FOR COMPANIES SUCH AS ANSORG, FLOS, HACKMAN, IITTALA, KARTELL, VITRA AND VITRASHOP.  SINCE 2000 HE IS TEACHING AS A PROFESSOR FOR PRODUCT DESIGN AT THE HOCHSCHULE FÜR BILDENDE KÜNSTE IN HAMBURG. AFTER STARTING HIS OWN STUDIO, LOEW HAS COLLABORATED WITH COMPANIES LIKE STEELCASE, THONET AND KNOLL.  LOEW PARTNERED WITH KNOLL TO DEVELOP A LIGHT TASK CHAIR FOR THE INCREASINGLY FLEXIBLE AND MOBILE WORK ENVIRONMENT. THE RESULTING DESIGN, OLLO, IS AN EVERYWHERE CHAIR INSPIRED BY MID-CENTURY DESIGNS.  HE’S RECEIVED NUMEROUS DESIGN PRIZES FOR HIS WORK, INCLUDING THE “COMPASSO D`ORO“ AWARD”. HIS WORK IS INCLUDED IN THE PERMANENT COLLECTION AT MOMA. HE SERVES AS A JUROR FOR VARIOUS DESIGN AWARDS, INCLUDING THE RED DOT AWARD, THE IF DESIGN AWARD AND THE IDEA AWARD.

GLEN OLIVER LOEW

GLEN OLIVER LOEW GRADUATED WITH A DIPLOMA IN INDUSTRIAL-DESIGN FROM THE UNIVERSITY OF WUPPERTAL IN 1985. HE THEN MOVED TO MILAN/ITALY, WHERE HE RECEIVED A MASTER’S DEGREE IN DESIGN FROM DOMUS ACADEMY IN 1986.

IN 1987 HE STARTED HIS COLLABORATION WITH ANTONIO CITTERIO, IN 1990 HE BECAME PARTNER IN ANTONIO CITTERIO & PARTNERS IN MILAN, DEVELOPING A LARGE NUMBER OF PRODUCTS FOR COMPANIES SUCH AS ANSORG, FLOS, HACKMAN, IITTALA, KARTELL, VITRA AND VITRASHOP.

SINCE 2000 HE IS TEACHING AS A PROFESSOR FOR PRODUCT DESIGN AT THE HOCHSCHULE FÜR BILDENDE KÜNSTE IN HAMBURG. AFTER STARTING HIS OWN STUDIO, LOEW HAS COLLABORATED WITH COMPANIES LIKE STEELCASE, THONET AND KNOLL.

LOEW PARTNERED WITH KNOLL TO DEVELOP A LIGHT TASK CHAIR FOR THE INCREASINGLY FLEXIBLE AND MOBILE WORK ENVIRONMENT. THE RESULTING DESIGN, OLLO, IS AN EVERYWHERE CHAIR INSPIRED BY MID-CENTURY DESIGNS.

HE’S RECEIVED NUMEROUS DESIGN PRIZES FOR HIS WORK, INCLUDING THE “COMPASSO D`ORO“ AWARD”. HIS WORK IS INCLUDED IN THE PERMANENT COLLECTION AT MOMA. HE SERVES AS A JUROR FOR VARIOUS DESIGN AWARDS, INCLUDING THE RED DOT AWARD, THE IF DESIGN AWARD AND THE IDEA AWARD.

As Knoll puts it, today’s workplace is a constant hive of activity with people moving between settings and tasks, sharing chairs back and forth with colleagues, and rolling these chairs in and out of different work configurations.

With that constant movement in mind, Glen Oliver Loew designed Ollo as an everywhere and everybody chair—one that provides comfort in a variety of settings, whether planned or impromptu, and that accommodates an array of postures without the many adjustments typical of a task chair. “In an environment where people change tasks quickly and frequently, the ‘de-featured’ task chair is key to a successful modern work environment,” says Alana Stevens, Senior Vice President and Chief Marketing Officer at Knoll. “Its adaptability and ease-of-use are representative of the fluid way people work today.”

The Need for Variety in Office Seating

As Benjamin Pardo, Knoll’s Executive Vice President and Design Director, points out, Ollo marks the emergence of a new product category for Knoll, the light task chair, which embodies the expanded need for variety in office seating from the personalized and customized to the more communal and intuitive. “Knoll’s office seating is known for being responsive to users’ movements and this chair does it simply, without grand gestures; you just decide how you want to sit and the chair adjusts accordingly,” says Pardo.

OLLO STAYS ON PACE WITH THE SPONTANEOUS STYLE OF TODAY’S WORK—PIVOTING BETWEEN PEOPLE, LOCATIONS AND TASKS WITHOUT BREAKING STRIDE.

OLLO STAYS ON PACE WITH THE SPONTANEOUS STYLE OF TODAY’S WORK—PIVOTING BETWEEN PEOPLE, LOCATIONS AND TASKS WITHOUT BREAKING STRIDE.

“A chair never starts with a blank piece of paper,” explains Loew of the ideas and images that drove his design. And he should know. As a professor of product design at the University of Fine Arts in Hamburg, Germany, where he also oversees his own studio, he has borne witness to more than his fair share of design-world origin stories. In the case of Ollo, the trajectory of its development is as much about how Loew sees the job of a designer as it is about the choices he made during the development process of this chair.

OLLO LEADS WITH SEAMLESS FLEXIBILITY–LEVERAGING ENGINEERING AND MATERIAL ADVANCES TO RECOGNIZE AND ADJUST TO EACH INDIVIDUAL ’ S MOVEMENTS AND GESTURES.

OLLO LEADS WITH SEAMLESS FLEXIBILITY–LEVERAGING ENGINEERING AND MATERIAL ADVANCES TO RECOGNIZE AND ADJUST TO EACH INDIVIDUALS MOVEMENTS AND GESTURES.

In an era where the line between a person and their brand is increasingly blurry, Glen Oliver Loew is somewhat of an anomaly. He sees each new product commission not as an occasion to perpetuate his own name or signature style, but as an opportunity to reassert the identity of the company he is working with. And it is this view of the designer as both interpreter and facilitator that guided the development of Ollo, a chair that looks at once familiar and new, allowing it to blend in to any work setting. Like Loew, Ollo has no need to flaunt itself. Its materials and technical details are quietly innovative—the result of many months of detailed study and discussion with Knoll’s product development team.

Honoring Heritage with Bold Simplicity

Loew’s aversion to asserting his own signature is not a rejection of a designer’s responsibility and prerogative. Quite the opposite: it’s a different understanding of exactly whose authorship should prevail. He maintains that the DNA should come from the company producing the product and not from him. In delving into the “molecules” of Knoll’s DNA, Loew was drawn to Eero Saarinen’s Executive Chair of 1950 and, in particular, the seemingly effortless way the curved upholstered back wraps around the seat, almost cradling it in its arms. The bold simplicity of that relationship between back and seat as independent yet interdependent pieces reappears in Ollo in an updated form responsive to today’s workplace and the more ergonomic expectations of contemporary users.

OLLO’S ACTIVE PIVOT CREATES A SMOOTH, EFFORTLESS RECLINE WITHOUT ANY MANUAL ADJUSTMENTS. THIS AUTOMATIC, SYNCHRONOUS MOTION BETWEEN THE BACK AND THE SEAT DYNAMICALLY RESPONDS TO YOUR MOVEMENTS, SLIDING THE SEAT FORWARD AND UP AS YOU RECLINE.

OLLO’S ACTIVE PIVOT CREATES A SMOOTH, EFFORTLESS RECLINE WITHOUT ANY MANUAL ADJUSTMENTS. THIS AUTOMATIC, SYNCHRONOUS MOTION BETWEEN THE BACK AND THE SEAT DYNAMICALLY RESPONDS TO YOUR MOVEMENTS, SLIDING THE SEAT FORWARD AND UP AS YOU RECLINE.

Instead of the monolithic back of the Saarinen chair, the Ollo back is graphically expressed as a two-part composition of different grades of nylon fused together. The bottom part is more rigid
to give lumbar support while the softer upper portion provides comfort and flexibility as you shift positions and lean backward, allowing the effortless transition between upright and reclining postures that is needed by workers who are constantly juggling tasks and moving between independent work and team meetings. The nod to Saarinen situates Ollo within Knoll’s rich history while, to the close observer, the chair’s seamless profile signals Loew’s exacting eye. “From the beginning, I was confident that he could both reference Saarinen and produce a completely contemporary chair,” explains Pardo.

Tucked under the seat is a weight compensated mechanism that makes any adjustment between users or changes in activity unnecessary–the chair has just a single lever to adjust the height of the seat. As you recline, shifting your body backward, the seat balances this motion by sliding forward and up. Unlike the typical task chair mechanism that hangs below the seat, this one is virtually hidden. “It’s a minimalist mechanism,” says Knoll Product Engineer Andrew Hector. “But it was complicated to figure out and it took lots of back and forth between Loew and Knoll to get it to the proper level of refinement,” he adds.

Knoll’s Ollo chair with arms - List price: $780 - $1,610 depending on upholstery. Available through Knoll Dealers.

 


Additional Info

ENVIRONMENTAL CERTIFICATION

  • BIFMA level® 3 certified

  • GREENGUARD and GREENGUARD Gold Certified

  • Can contribute to achieving U.S. Green Building Council LEED® credits

SUSTAINABLE DESIGN

  • Manufactured in East Greenville, PA using clean technologies at the Knoll LEED® Gold and ISO 14001 Certified Lubin Building

  • Constructed using minimal materials and is PVC-free

  • Powder coating and adhesives are virtually VOC-free

  • Recycled and recyclable content varies by model